Art Critique: Boys in a Pasture vs. Children Wrestling

sequence the base nature of art is mimetic, these representations of reality functions to give an account of events and people that ask to be remembered. Art therefore partakes in accounting the history of earthly concern in relation to nature.Winslow marks depiction Boys in a gage and Paul Gauguins Children Wrestling are a causal agency in point. Both paintings reflect a naturalist framework that picture the innate and dedicated fondness of children on the natural environment, which at the equal time reveals the ideal peace and harmony that both artists try to portray. Their elegant approaches reflect Henry David Thoreaus (1992) natural history which principally reflects the importee of the objectives and systems of science in humanity.SimilaritiesAside from the mode of painting which is oil painting in squeeze outvass, both painting have similar elements, children and nature.The Boys in a Pasture can be considered to portray Homers reminiscence of his admit childhood while at the comparable time conveying a positive outlook for a brighter future considering that it was painted afterwards the American Civil war. Homers principal source of inspiration for the painting was the American rural scene which depicted the serenity, peace and simplicity of life.In the same vein, Gauguins painting contained the themes of peace and contentment however set in the atmosphere of Brittany. It overly conveys a positive outlook by depicting children play in nature. It must be noted that wrestling is contextualized as a regional tradition.It was the practice for young Breton villagers to participate in wrestling matches after Sunday mass (Dorra, p92) Children and children playing are often used as representation of innocence, youthfulness and purity of thoughts vis a vis the corruption of mind that is attributed to maturity. While Gauguin apparently uses this creation, Homers depiction of natural innocence was also reflected with his use of daisies which may have been derived from William Wordsworths ritualistic exultation to youthfulness, To the Daisy of 1802. (Scoggins, 1966)Finally, both Homer and Gauguin have their figures of persons with averted faces which are not particularly identifiable so that they can more effectively and generally represent a universal concept of children or youth.